A woman standing inside a complex camera rig, with multiple cameras and lighting equipment surrounding her. The backdrop features a large digital screen displaying animated characters.

The Studio.‍ ‍|‍ ‍Unplugged.

The whole Studio.

In flight cases.

Multiple camera equipment rigs arranged in rows with digital screens and various cameras mounted on curved metallic stands.
Multiple camera equipment rigs arranged in rows with digital screens and various cameras mounted on curved metallic stands.
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Meridian captures a performance from every angle at once and turns it into a 3D asset you can explore from any viewpoint—in an entire studio that flies as checked luggage.

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From Cable Farms to Carry‑On

Traditional volumetric stages

Built for studios.

Not reality.

- Fixed infrastructure

Permanent installation—fully wired

- One locked size

No flexibility of shape, size or form

- Not portable

Unable to deploy & capture same day

Hours of manual work before a single clips is usable.

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Portable volumetric systems

Built for mobility.

Built for reality.

- Any shape, any size

Reconfigurable to fit the moment, not the room

- Goes anywhere

Airline-shippable, same-day deployment and capture

- One step, on device

Every camera capture processes simultaneously

Smaller, simpler & radically portable

Infographic steps for processing 8.5TB of raw data, including downloading, meticulous manual synchronization, isolating and trimming clips, precise color matching and tuning, transcoding, and uploading to the cloud, with time estimates for each step.

The old workflows

Six manual steps. Every single clip.

  • 5 min of capture at 4K 60fps ProRes RAW creates about 8.5 TB of data, which takes hours to download.

  • Raw footage must be rotated and precisely synced across cameras, adding time, complexity, and risk.

  • Clips must be manually trimmed so every camera starts at the same moment of interest and all unnecessary footage is removed, adding even more time and manual work.

  • Matching the color of every camera’s footage across the whole sequence is another slow, manual step.

  • Transcoding massive RAW files into the specific delivery format adds another slow, compute‑heavy step before the footage is actually usable.

  • Uploading large RAW datasets for Gaussian Splat is slow, bandwidth‑intensive, and becomes a pipeline bottleneck.

Repeated across every camera - every shot, every time.

5-min clip approx. turnaround: 2+hrs

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One step. On device.

Every camera. Simultaneously.

Screenshot of a mobile app interface for uploading files to a cloud service, featuring options for capture clip, trim moment, upload, and upload 5G, with the app’s logo at the top and a button labeled "Cloud-ready output."

Collapse the whole pipeline onto an iPhone.

Automatic processing

Optimized, selective upload

Completed in just minutes

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Core Benefits at a Glance

Camera

  • 4K Resolution, Open Gate

  • 24fps - 60fps

  • ProRes 422 HQ and ProRes RAW HQ codecs

  • Wide-Gamut HDR color via Apple Log 2

  • USB 3 data (up to 10 Gb/s), Wi‑Fi 7 (802.11be) 5G (sub‑6 GHz and mmWave) and private 5G (n48, n77 &n78)

Meridian System

  • Fully untethered, battery-powered

  • Battery-powered, built-in (HDRI) image-based lighting

  • Runs on-device encoding no workstations

  • Airline-shippable, same-day deployment & capture

  • Reconfigurable—to any shape, size, or form

We capture what flat media can't: depth, presence, the whole of a moment.

The logo features a stylized black letter 'M' with the words 'MOTO MOOD' written beneath it, also in black.

The Studio.‍ ‍| Unplugged.

Smaller, simpler, radically portable spatial capture—
volumetric video and Gaussian splats, anywhere.

Get in Touch

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info@radiantimages.com‍ ‍

+1-323-737-1314

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